graphic: Edith S. Marks
 

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Excerpts from Ground Cover

[ #1 ]  [ #2 ]  [ #3 ]  [#4 ]  [#5 ]  [ #6 ]  [#7 ]

[#1]

He was up to something, a plan for Gina that would be unorthodox, dangerous. She knew it from the pith of her belly that was tightening into a knot. “No.”

 “No, what?” Adam smiled into the mirror, “You don’t know what I have in mind.”

 “I know and no.” Cleo stared into his mirrored eye.

Adam turned to face her. “You tell me. What do I have in mind?” 

“You want to take Gina to the Amazon with you and find a primitive cure for her.”

      “On the button.”

      “No.”

      “Look at the mess she’s in,” Adam said with that patient voice he reserved for students.

      “Are you accusing me of neglect? If you,” Cleo sputtered.

      Adam moved towards Cleo, the muscle in his left cheek twitching. “Of course not. We’ve been over this ground before, and I realize what a burden I’ve left with you, but now,” his eyes took on an uncommon pleading look, “Gina is so special. I want to give her a new lease on life.”

“Never. Never. Never. Gina stays here. Jones said she tried to do too many things. She needs therapy.”

      “Cleo, sweet.” He draped his arm across her shoulders, let his hand dangle on her breast. Cleo cringed at his touch. “I’ve been giving it some thought,” Adam continued. “Our daughter is caught up in the grind of the eighties. No, let me finish.” He put his hand over Cleo’s mouth. “I know she’s not greedy for glory, material possession, but hers is different, perhaps more toxic. Gina wants to excel in everything. She knows what it takes to bubble up to the top. It’s too much for her. What she needs now is to learn humility, to understand basic needs. I intend to show her the essentials of life, let her learn how food is produced, let her live in a hut with a thatched roof and a dirt floor, drink water from a pure running river. I want to find an antidote for her habit, a cure for her body, empty it of its cravings, free her mind to expand, to be able to possess the thousands of possibilities available to her. Now what do you say?”

      Cleo broke from his embrace to stare at him, flabbergasted. Was this the man she had married, giving her new age drivel? His appearance hadn’t changed that much in the last twenty years except that grey flecks now peppered his hair. “You can’t be serious.”

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[#2]

The thought of Gina going off with Adam gripped her again with such physical force that she gagged. She banged her fists on the drafting table. She had to control these disabling emotions. She had to remind herself again and again that Gina was not a child, that she could be as safe in the Amazon as on the streets of Boston, safer perhaps. Adam knew the Amazon. Adam knew what to do in the Amazon, and he always came back, safe. He would not let anything happen to Gina, but how she would miss her.

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[#3]

The phone rang. “Adrian, you’re not serious.”

      “Would I say something that’s not true? The buyer took all of them.”

      “I can’t believe it.” Cleo grabbed her glass of Chardonnay and drained it. “I’m toasting you, my studio, my paints, everything, Adrian.”

      Adrian laughed. “The buyer wants to meet you.”

      “Why? When?”

      Adrian laughed. “It’s his custom. Friday, lunch, at The Park.”

      “I’ll be there,” Cleo said.

      “Cleo,” Adrian said, “This buyer is a real big shot. On your best behavior, promise?”

      Cleo laughed giddily. “I won’t flub this one.”

      Cleo kissed the phone. She’d be able to send Orrie to Paris to study gourmet cooking, get him a computer. El could have everything she wanted. All of them. She savored the sound of it. Whoever would want all of her paintings? Mine not to reason why, she thought, as she felt her body warm to a comfortable glow.

      Close to four that afternoon Cleo wandered out of the house and walked up and down the street. Orrie should be about to leave football practice, perhaps another half hour. El should be on her way. No sign of either of them. She went inside to prepare dinner. The news would not evaporate. Around five Orrie pushed open the side door.

      “Guess what.”

      Orrie looked at Cleo. “You’ve won the lottery.”

      “Better than that.  Adrian sold all of my paintings.”

      “No sweat,” Orrie’s mouth stretched into the widest grin she’d ever seen.

      Cleo nodded, then bubbled with laughter. Orrie grasped her about the waist and waltzed her around the room. El coming in on them asked, “What’s the occasion?”

      “Mom sold all of her paintings.  A sell-out.”

      “I didn’t think that crowd would buy a thing,” El remarked.

      “One person bought them all. I’m going to meet him Friday."

      “What is he, a patron or something?” El asked.

      “I’ve no idea, but I’ll find out tomorrow. Isn’t it conceivable that someone likes my work? Aren’t you happy for me?”

      El hugged her mother briefly. “I’m glad it all worked out.”

      Cleo turned to Orin. “I feel so light that if you blew on me I’d sail over the PRU.

      Orin laughed and lifted her up. “Let’s try it.”

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 [#4]

      Cleo hurried into the bar at The Park, recognized Adrian’s narrow frame and saw seated next to him, a well-proportioned man.

      “We were becoming worried,” Adrian said.

      “Sorry, I’m late. People smashing up on the trolley tracks.”

      The man edged off the stool and extended his hand, “Hello, Cleo.”

      Cleo stepped back, examined the handsome face unlined, except for two sharp creases on his brow. Was it? Impossible. “Gus? Adrian, I thought I was to meet a buyer.”

      Adrian stammered. “What’s going on? This is the buyer. Augustus Hart. Hart? Are you related? It never occurred to me that you might be related.”

      Gus smiled. “We’re cousins by marriage.

      Memories of Gus running off with Heather, ruining her wedding, Adam’s warning about his cousin swam before her eyes. Cleo wheeled about to face Gus. “I don’t know what your game is, but you can stop playing right now. I should have known better."

      “What the hell is going on? Have you lost your mind? Gus is one of our most valued customers. His word is as good as gold.”

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 [#5]

      At the moment that the clock registered eight, Cleo dialed Logan. She called both American and Varig and found that a Varig flight from Brazil had landed at 5:30 A.M. Orrie and El sang out their good-byes as they left for school, and Cleo realizing that she should have told them of their father’s and Gina’s return, ran down the stairs to give them the news, but they were already plowing through the snow out of earshot. She made herself some coffee and tried to quell the uneasiness she felt. At this hour a taxi from Logan should take no more than forty-five minutes, that is, if they were on the Varig flight. She stood at the window in the living room facing the street. Where were they? The storm, of course. Roads had to be plowed. It might be hours. At noon she heard the crunching of a car stopping.

      “Adam.” She looked past him. “Gina? Where is she?”

      Adam, his face contorted with pain embraced Cleo.

      Cleo broke away. “What’s happened to Gina?”

      Adam burst into sobs. He reached out for Cleo.

      Cleo moved away from him. “Tell me,” she screamed.

      Adam stifled his sobs. “We lost her.”

      “What do you mean, lost.” Cleo could not stop from screaming. She pounded her fists on Adam’s chest.

      Adam crushed Cleo in his arms imprisoning her fists. “A terrible accident,” he whispered.

      Cleo slid to the floor, sobbing.

      Adam dropped down beside her, tried to embrace her again. Cleo swiveled away from him. “Your experiment killed her.”

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[#6]

They had been in the air for fifteen minutes and there was no sign of Manaus. He tapped Ferreira’s shoulder. “Is there a problem?”

      “A little turbulence,” Ferreira said.

      “Shouldn’t I have a chute, too?” Adam asked noting that both Ferreira and the pilot had donned chutes.

      “Yes, there is one for you in the tail.”

      Adam looked about him, saw nothing but a flyer advertising video equipment and some candy wrappers. “There’s nothing here.”

      “No matter,” Ferreira said. “We’re coming out of the turbulence.” The pilot nodded.

      Adam peered out the side of the copter. No sign of Manaus. They had now been in the air a half hour. What was going on? “Shouldn’t we be sighting Manaus?”

      “We had to go off course.”

      Ferreira’s response was curt, edgy. Adam had felt no jarring of the craft. He forced himself to speak quietly. “What makes you think there was turbulence. I felt nothing.”

      “You are flying with a skilled pilot. It’s his business to anticipate problems. Relax, we’ll reach Manaus soon.”

      Five minutes passed, then ten, fifteen, sixty minutes since they had left Ferreira’s compound. Adam’s entire body prickled uncomfortably. Words of warning flashed into his mind. Could be dangerous. Perhaps if he could keep the conversation going, he might be able to crack their game. “Lost your bearings?”

      “We know where we are.”

      Adam stared down into the unbroken canopy. Where was this place? He tried to visualize a map of this part of the country, but he could identify nothing. He glared at the backs of the men up front. Ferreira bent his head to the pilot’s, said something that was lost in the roar of the engine. Adam’s eyes darted from the backs of their heads to the terrain below. Possible? “You’re flying in circles.”

      “Nonsense.” Ferreira snorted. “To the untrained eye, all canopy looks alike.”

      They were flying in circles. Why? He scanned the back of the copter searching for an object, something, anything he might use to defend himself against them. He cursed himself for forgetting his gun. The copter shuddered. “What the hell is going on?”

      Ferreira, his face grim, turned about. “You ask too many questions.”

      Adam tensed. It had all been a farce, a lure to net him, so they could destroy him. If they threw him out of the plane here, his body would probably never be recovered. He had failed, but he would not go without a fight. He crouched down in his seat and placed his duffel between his feet, his muscles tensed.

      With a cry, the pilot leapt from the copter.

      Adam jerked his head to the sound. “What the hell?”

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[#7]

“Do you really want to die? Blink twice.”

      Cleo blinked twice.

      Eleanor walked away from the bed. It was up to her. She could grant her mother her wish. She examined the document again. Everything was there, the notary signature, seal, the instructions, no life support measures. She would take it to the hospital administration.

      An administrator, Dr. Thompson, advised her that Dr. Knowles would be down shortly to follow the procedures of disconnecting the life-support system. Eleanor asked if she could be present. Dr. Thompson nodded.

      Eleanor watched Dr. Knowles. So simple to detach a life, merely, press a button or pull a switch. No sparks. No drum roll. She bent over her mother. “You have your wish now.”

      Cleo smiled and thrust up both arms to receive her daughter’s last embrace. For a moment Eleanor felt that her mother had taken her into her arms, and she had in some incredible way returned the embrace. She felt strange, cautious one moment, exhilarated the next. Dr. Knowles came over to take Cleo’s pulse. A puzzled look came over his face and he listened to her heart with a stethoscope.

      “What’s happening?” Eleanor asked. She had never been this close to death. In her imagination death was a violent happening, a catastrophic event, a tearing apart of the body. This seeping away of life frightened her, this inability to determine where the life force ended and the nothingness began. The bubble of elation she had experienced when she told her mother it was done collapsed. Cleo’s lids fluttered. A sound something like a moan escaped from her lips. Still hanging on. Why didn’t she die? Somewhere she had read that even a two-month fetus tries to resist an abortion. Life. Everything clung to life.

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