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Looking
for Canterbury:
Synopsis
Looking for Canterbury focuses on several Vietnam War
veterans who suffer from post-traumatic-stress disorder
and seek to heal themselves by telling
non-Vietnam-related tales in idyllic Central Park. In
flight from years of unrewarding support-group therapy,
the seven vets don the costumes, eat the medieval food,
and play the roles of Chaucer's storytellers (including
the gregarious Host, sexy wife of Bath, unscrupulous
Pardoner, and rowdy Miller) whose personalities they
strikingly resemble. Their pilgrimage to an "American
Canterbury" is conceived, funded, and set in motion by
Harry Baylor, a Broadway butcher and "Chaucer nut" who
will ultimately, by spiritual means, purge himself of
his particular Nam torment. Inevitably, every tale told
in Looking for Canterbury is overtaken by the
Nam-connected demon that haunts the teller. Bonded in
Nam and burned in Nam, the vets learn that their
Canterbury may well lie in a visit to the War Memorial
in Washington, DC, or in a return to Vietnam itself.
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The book offers compelling insight into the emotional
and physical agonies that Vietnam veterans—both men and
women—endured not only during the war but after they
came home. In Looking for Canterbury , their journey
through Central Park underneath the blossoming
cherry-trees and past the first robins of spring is for
them—and us—just as it was for Chaucer's pilgrims, an
experiencing of a spiritual rebirth.
For each of us, life is a quest. The Wife of Bath
character is in search of a sixth husband—someone who
will be good and kind to her. Harry Baylor the butcher,
deflated by his marital woes, may well, indeed, as
accused by one of his colleagues, have dreamed up and
financed his "Chaucer Gala" as a means by which to "play
God" and reconstruct his shattered ego. The "Miller's"
quest-or vengeful need—is to kill the C.O. who sent him
and his buddies into a reckless, disastrous attack on
the enemy. The "Pardoner," a dishonest press officer in
Nam, remains true to character in civilian life as a
psychiatrist who exploits his patients. Our Quest may
not always be a noble one, but it is what makes us Us.
Jason Marks on What Inspired Him to Write This Book:
JM:
"First, the idea for a journey. Each of our lives
is a journey shrouded in mystery. Haunted by the ghosts
of our past, we press forward tantalized by our
expectations of an unknown future. (Belvedere Castle
overlooking Central Park has always symbolized for me
that indefinable something we keep searching for—love?
happiness? success? contentment?). Significantly, the
image of the Castle appears at the top of the book cover
of Looking for Canterbury .
"Second, the idea of Storytelling. The storytellers in
Chaucer's Canterbury Tales -like the Nam-veteran tellers
of tales in Looking for Canterbury — invariably, without
their meaning to, project their own needs, emotions, and
predilections onto their stories. The stories we
narrate become inexorably x-ray pictures of our inner
selves.
"And finally, the hero of Looking for Canterbury, Harry
Baylor the butcher, is modeled after a butcher who
filleted the fish and carved the meat my wife and I used
to buy from a Broadway butcher shop on the Upper West
Side of Manhattan. The real-life vendor was a Vietnam
War veteran and the stories he told me about his
horrific experiences in Nam and after Nam sparked my
imagination to fuse together the themes of Chaucer,
Central Park, and Nam."
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